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# Archaelogies of the Future. The Desire called Utopia by Frederic Jameson

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I read this Fredric Jameson 's book six months ago, and I don't know why I forgot to post a small article about it since I have been extremely interested by its content at that time... First of all I love absolutely the name of this book. Archaelogies of the Future. The Desire called Utopia . This second sentence is pretty much my own definition of Utopia that I am always comparing to the horizon, something to aim to without being ever able to reach it. This essay explores the notion of utopia through More and Marx, but more essentially through science fiction novels. The chapter about Stanislaw Lem 's literature is particularly interesting in its illustration of an attempt to describe the un-imaginable. The book has also been translated in French .
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Composers Datebook for November 21, 2011

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      SPONSOR Produced in association with the American Composers Forum Monday, November 21 Play today's show | How to listen Hindemith in E-flat (and in Minneapolis) On today's date in 1941, the famous Greek-born conductor, Dimitri Mitropoulos, led the Minneapolis Symphony in the premiere performance of a new symphony by the German composer, Paul Hindemith, who came to Minnesota for the performance. Mitropoulos was an ardent promoter of new music, but few of the contemporary works he programmed were welcomed by audiences or the critics with much enthusiasm. Hindemith's reputation as an atonal composer had preceded him, but, surprisingly, his new piece for Minneapolis was billed as a "Symphony in Eb Major" and, much to the delight of all concerned, featured recognizable tunes. "His themes were melodious, instantly recognizable and easily followed," wrote the critic of the Minneapolis Tribune, concluding, "It was mar...
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# Bildbauten by Philipp Schaerer

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The series of images created by Philipp Schaerer entitled Bildbauten (built picture in German) includes twenty five rendering of monolithic buildings that seem to have been produced by their environment in some sort of camouflaged bunkers. Here is the description thanks to which the Swiss artist describes his work: The series of images with the title „Bildbauten“ deals with the effect and the claim to credibility of images of architecture that appear to be photographs. It further questions the medium “photograph” as a documentary piece of evidence depicting reality. Frontal views of fictional architectures serve as an example. By means of their exaggerated and orchestrated way of representation, they model themselves on the object-like appearance and the formal language of contemporary architecture in a rather ironic way. All images try to reproduce a reality. They are not a photograph; instead, they were newly designed and constructed from scratch by means of image synthesis and dig...
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