White Egrets by Derek Walcott, Farrar, Straus and Giroux, pp. 86 Terracotta Army at Xi'an, Shaanxi Province, China. Photo by Aiden MacRae Thompson. * * * The poem at the start of Derek Walcott’s White Egrets tells us much of what we need to know about the rest of the collection. The scene could be anywhere in the world, possibly on the coast of a Caribbean island. A game of chess appears to be ongoing. Who is playing? How long have they been playing? This is not clear. But the chessmen, in the view of the poet, resemble another place and another time as equally unfixable and mutable: the “astonishing excavation” discovered at Xi’an, Shaanxi Province, China, in 1974. The now famous Terracotta Army, reportedly dating back to 210BC, perform a kind of imaginative time-travelling that is a metaphor for the art of the poet as well as representative of the fact that, in the end, we must all leave things behind: The chessmen are as rigid on their c...