# HETEROTOPIAS IN CINEMA /// Touche pas a la femme blanche by Marco Ferreri

Marco Ferreri therefore used this enormous construction site as the settings of his parody in order to eventually reproduce the battle of Little Big Horn (1876) as a battle against modernity. Whoever lived in Paris for more or less time would be probably amazed by those following very contrasted images of a recognizable Paris hosting troops of Indians and XIXth century US Army.
One could possibly regrets that the final battle seems to happen in a quarry (see last picture) rather than in "the hole" but the transition Ferreri succeeds to achieve thanks to a play of zoom and montages depicts a very interesting imaginary setting.
It is also interesting to know that before being Les Halles, this site used to be a cemetery (Cimetiere des Innocents) composed of numerous common graves and hosting more than two millions dead bodies...This movie seems therefore to be a kind of fictitious memory of the site which reappears when the earth is being excavated.






